Imagination Installation

It’s easy to equate the term “paper arts” with grade-school crafts such as paper dolls and papier-mâché piñatas. Thankfully, Aries Tjhin’s new exhibition at the Project Lodge, on display through Feb. 20, is designed to put these images through the shredder, both literally and figuratively.

Tjhin, a 2008 graduate of UW-Madison’s printmaking MFA program and a member of the Milwaukee-based White Whale Collective, carves miniature murals out of paper and cardboard. The process is a meticulous one that involves a steady kitchen table and some impressive skill with an X-Acto knife. From afar, many of the pieces resemble collages of paper doilies and snowflakes, but up close the dark truth comes out: They’re hacked-apart pieces of fairy tales and children’s storybooks, deconstructed, rearranged, and butched up with spray paint.

“The show is about stories—and different kinds of stories—especially stories I’ve read throughout childhood and that flash through my head at these really random times,” says Tjhin. “The way the pieces are made forces you to look at the stories in detail and study the nuances of how they’re made.”

The centerpiece of the installation—a long, horizontal piece called “Hieroglyphics”—fills the gallery’s west wall with glimpses of African folk tales. Familiar figures such as jungle monkeys and a guy who just might be Anansi The Trickster peek out from from a lattice of carved leaves and feathers, vanish into a haze of geometric abstraction, then re-appear in different forms throughout the piece. Some areas of the composition are made entirely of black paper, while others incorporate layers of cardboard and paint, suggesting the many voices and layers that go into the telling and retelling of a story.

Across the room, a piece titled “Door” acts as a portal to an imaginary landscape of horses, clouds, and ninja-like figures that are strung together with a vine straight out of Jack And The Beanstalk. A more abstract piece called “Untitled Yellow” seems like the introduction to a storytelling session—the kind that begins with the incantation “It was a dark and stormy night.” A sky of precisely carved shapes, dusted with tiny yellow paint drops, seems to be breaking apart on a misty evening. Whether it’s a hopeful or ominous story is up for debate: The clouds and stars have been sliced apart and collaged, as if the world is taking a new shape—or history is caving in on itself.